TV第6话再编集版。

　　1900年的情人节，沿用英式教育的澳洲亚普利亚德女子学院组织了一次目的地为海茵悬岩的郊游。孤儿萨拉却因拖延学费而无法同行，只能目送好友米兰达和同学们在迈克劳小姐的带领下出发。抵达目的地后，米兰达等四人离队攀岩，被同在悬岩下郊游的迈克尔和仆役埃尔伯特发现，迈克尔对米兰达一见钟情，尾随了上去。
　　当天晚上，校长收到迈克劳与米兰达等四人失踪的报告。警方马上介入调查，校长为学院名声紧张不已，而萨拉因为失去了米兰达茶饭不思。迈克尔与埃尔伯特攀岩搜索找回了一名女学生，但米兰达仍然下落不明，萨拉在绝望中被校长赶回孤儿院，她选择了自杀……本片根据琼•莱斯利的同名小说改编，获1977年英国电影学院奖最佳摄影奖。

　　夏小雨(林青霞 饰）与郝大风（秦汉 饰）是学校里的风云人物，同时亦是门当户对的青梅竹马。虽然在旁人眼中，他们是非常般配的一对，但大风是个自大狂，而小雨亦性格非常强势，两人在一起总是针锋相对，碰撞出了非常多的摩擦。
　　小雨的叔叔夏怀中（江明 饰）从美国留学归来，想要在国内组建家庭，在机缘巧合之下认识了大风的姐姐小曼（陈莎莉 饰），最终，两人顺利的走到了一起。大风和小雨因为这段姻缘而又加深了对彼此的了解。随着时间的推移，两人之间的误会渐渐消弭，两颗心越靠越近。

　　仇氏兄弟生长在一个小渔村的小康之家，大哥正直勤劳，二弟整天胡闹生事，一天在酒楼中与当地土豪恶霸结怨，其后被人用离间计使兄弟二人反目，大哥更被恶霸聘高手杀害，弟弟后来得悉恶霸之奸计便为兄长报仇……

爱情喜剧电影

　　民国初年，赌坊蓬勃发展，被保安局视为洪水猛兽。保安队张队长假扮年前被杀的赌坊老板的儿子，往钱老板的赌坊要求赌命。因钱老板骗取朱老板的赌坊后，更杀人灭口。张队长赌赢了钱老板，钱不愿将赌坊拱手相让，更打算置他于死地。其后，钱表示愿意与张合作，给予他一半赌坊。但当钱以为张是朱老板的儿子，他决定不留活口。张被活捉，但逃脱了。原来张为负责扫荡赌坊而来，结果钱老板与他的伙计全被保安队带走。

　　长青林场在巍巍的太平山上，有用之不尽、取之不尽的林木。这是林场主人罗森豪多年经营的成果，森豪早年丧妻，仅有一女罗亚男，既有男性的豪迈更有女性的温柔，甚得父亲喜爱。由于亚男精明能干，故森豪深盼亚男将来自美留学回国后能继承其衣钵；亚男继母觊觎林场财富，屡次加害罗家兄妹，还调来一个工程师做帮手。但工程师为人正直，不予合作。他说话风趣，开始不受亚男待见，后来渐渐以勤奋工作的态度赢得了她的芳心。

　　「年輕愛到老，愛花要早，莫負好年華，你相識在今朝」，說明了愛的時候要儘量的愛。一段奇異的愛情，開始在一段早餐，心茹（甄珍　飾）在餐館用畢早餐，發現自己沒有帶錢，幸好來自台中某校體育教員蒙豪（鄧光榮　飾）替他付了，否則真不知有多窘，心茹返家，欲取錢還蒙，被蒙所止，「我是不放心你，才送你，你欠我的是這段路，再見」。心茹不好意思，送蒙至車站，這樣就展開了難分難離的一天「這一天有多甜蜜，因為它呀很美麗，時光像流水匆匆的過去，我們捨不得分離，你忘了問我住在哪裡，我也忘了問你……」。
　　萍水相逄，偶然相識，這天當中很多的奇遇，更培養了他們的感情。完了！轟動的尋人啟事，震醒了破碎的心，蒙沒有留下地址，家庭心理衛生博士陳企聞（江明　飾）與心茹了一天有名無實的婚，自動棄權好在還無“夫妻之實”，她該怎麼辦？她會找到蒙豪嗎？……

　　An animated film about the British engineer Isambard Kingdom Brunel, who spearheaded numerous engineering marvels of the early 19th century - including the Thames Tunnel, the Great Western Railway, and the Great Eastern steamship (for 40 years the world's largest steamship). Various styles of animation are used to depict events in his colorful life.

　　自幼希望成为黑社会的石川力夫（渡哲也 饰）1940年加入河田组。石川为组织之壮大卖命打拼，但也因其狂暴激进的脾气而始终不得重用，心存愤懑。
　　战后，石川与在北海道狱中结识的好友今井幸三郎（梅宫辰夫 饰）向中国帮派发起进攻，战争中石川结识酒肆侍女地惠子（多岐川裕美 饰）。凭借警方纵容，今井接管中国人赌场，成立今井组。石川刺伤池袋亲和会成员，两派剑拔弩张，河田组长出钱请美国人干预摆平。不久石川因受训斥，炸毁河田组上层领导野津幸三郎（安藤升 饰）之坐驾，接二连三祸事令河田对石川大加挞伐。石川酒醉后刺伤组长，犯黑帮大忌，被黑社会逐出东京10年。于大阪染上毒瘾的石川一年后返回东京，受河田压力的今井与石川关系破裂，石川将枪口对准了昔日结拜兄弟的胸口……

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

　　影片讲述在一1904年的中东沙漠地带，一名美国寡妇（坎迪斯·伯根饰）及她的儿女被阿拉伯大盗头子绑架，导致美国政府紧张不已，罗斯福总统决定派兵将她夺回。最后寡妇以行动感化了大盗头子（辛康纳利饰），免却了一场杀身之祸。

　　影片紧接前作结尾，法国贩毒首脑阿伦夏奈尔逍遥法外，多伊前往法国马塞追击。为了躲避法国警方的乾涉，多伊不慎落入阿伦的魔爪，并被强行注入海洛因……

　　在胡金铨的年表中，《忠烈图》似乎恰成分水岭，此后他对影片中武打场面的经营渐渐递减，开始强调更多形而上的思维。本片描述明朝一群忠义侠士，抵御倭寇入侵的故事，最精彩处在于胡导大量以「棋盘」布阵的创意，藉以比喻敌我双方的对峙。除了徐枫、白鹰等班底，片中还能看到洪金宝、元彪、元华这些后来的武打明星的年轻模样。

　　《男人之苦》第16集，十七歲妙齡少女順子（櫻田淳子飾）找上門，聲稱寅次郎（渥美清飾）是她老豆！幸好寅剛回到柴又的家，得以澄清一切。原來十多年前在山形縣，寅飢寒交迫之際，受過少女母親阿雪的熱飯，一生難忘，自此每年寄錢給阿雪，誰知令順子誤會他就是生父。寅從順子口中得知阿雪去年過了身，傷心不已，遂獨自到山形縣掃墓。當寅得悉阿雪生前埋怨自己沒有學識，所以被男人所騙，一生受苦之後，他馬上立志求學，發奮圖強。回到老家寅記，剛好來了一個考古學研究生的租客禮子〔[木堅]山文枝飾），寅自然把握機會向美人求學。豈料禮子身邊有一個親密的大學教授（小林桂樹飾），他博學多才，狂野豪爽，且一直暗戀禮子……寅在情場再遇大敵。
　　The sixteenth instalment in the Tora-san series. The seventeen-year-old girl Junko (Sakurada Junko) comes to Tora-san"s house, claiming that Tora-san is her father! Fortunately, Tora-san arrives home and explains everything. Junko has mistaken him as her father because he has always sent money to Junko"s mother, thanking her for her hospitality when he was very desperate in Yamagata about ten years ago. When Junko tells him that her mother has passed away a year ago, he is crushed and determined to visit her mother"s grave... When Tora-san comes back, an archeology student Reiko (Kashiyama Fumie) comes to rent the place, and he takes this opportunity to pursue learning, and love. However, her teacher Keiji is also there, which makes it difficult for Tora-san.

　　被譽為《男人之苦》系列中的顛峰之作。淺丘瑠璃子飾演的酒吧歌女莉莉繼第11集《寅次郎毋忘我》後第二度登場。寅次郎與離婚後的莉莉重遇，兩人今次感情突飛猛進，還經常手拖手逛街。正當各人以為寅和莉莉天生一對，慫恿他們共諧連理之際，寅卻狠狠地拒絕了這頭婚事，因為他相信：「莉莉是一隻季候鳥──受傷了回家休息，醫好了便展翅翱翔，留不低停不下──像我一樣。」無腳雀仔的鼻祖原來是寅次郎！
　　Considered the best film in the series, Tora-san Meets the Songstress Again marked the second appearance of Asaoka Ruriko as Lily, the club singer whom Tora encountered in Tora-san's Forget Me Not. Love seems to have blossomed between Tora and the now-divorced Lily, but contrary to the beliefs of friends and family, marriage is not on the minds of the lovers.